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X-WR-CALDESC:Events for The Point
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DTSTART;TZID=America/New_York:20181004T190000
DTEND;TZID=America/New_York:20181020T190000
DTSTAMP:20260429T100500
CREATED:20180926T153032Z
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SUMMARY:SUDS: The Rocking 60s Musical Soap Opera @ The Grange Theatre
DESCRIPTION:ArtisTree’s Music Theatre Festival Presents: \nSUDS: The Rocking 60s Musical Soap Opera \nOctober 4-7\, 10-14\, 17-20 with various times \nThe Grange Theatre | Pomfret VT \n–Get Tickets and Event Info – \n  \nCreated and Written by Melinda Gilb\, Steve Gunderson and Bryan Scott. Directed by SUDS original creator Melinda Gilb. \nSUDS is a rock’n’roll fairy tale\, filled to the brim with great music and characters. After Cindy\, a laundromat attendant\, receives a letter from her pen-pal boyfriend ending their romance\, her stylish guardian angels arrive on the scene\, determined she’ll do more than “wishin’ and hopin’.” This evening of pure\, frothy fun will have you boppin’ to over fifty well-known songs that topped the 1960s charts: “Respect”\, “You Can’t Hurry Love”\, “Say A Little Prayer”\, and more! \nPresented by special arrangement with Brent Peek Productions: http://www.sudsthemusical.com \n  \n“The best songs of the ’60s!” – Variety \n“All in good fun and quite good fun.” – The New York Post \n“SUDS is polished to near-perfection…. Solid gold nostalgia.” – The Los Angeles Times
URL:https://pointfm.com/events/suds-the-rocking-60s-musical-soap-opera-the-grange-theatre/
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DTSTART;TZID=America/New_York:20181004T190000
DTEND;TZID=America/New_York:20181128T190000
DTSTAMP:20260429T100500
CREATED:20180926T153306Z
LAST-MODIFIED:20180926T153306Z
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SUMMARY:Dear Elizabeth @ Barrett Center for the Arts
DESCRIPTION:Northern Stage presents: \nDear Elizabeth\n \nby Sarah Ruhl \nOctober 4th – 28th w/ various times \nNorthern Stage | Barrette Center for the Arts | White River Junction VT \n–Get Tickets and Event Info – \nA tale of love and longing\, Dear Elizabeth follows the beautiful and bittersweet friendship between Elizabeth Bishop and Robert Lowell. Across oceans\, continents\, and three decades\, these esteemed poets found a marriage of true minds in their eloquent correspondence. They traded hundreds of vibrant\, witty\, and passionate letters that now spring to life on stage. This intimate story paints a portrait of two ordinary – and quite extraordinary – lives. \nThis production will feature a rotating cast of artists. Susan Haefner (Broadway: State Fair\, Thoroughly Modern Millie; Northern Stage: Noises Off\, Mamma Mia!\, Mary Poppins) and Davis Mason (Northern Stage: Noises Off\, Last of the Red Hot Lovers\, Trick or Treat) will perform October 4-14. Northern Stage’s own Producing Artistic Director Carol Dunne (Northern Stage: Songs for a New World\, Lend Me a Tenor\, Cats\, Private Lives) and Thom Miller (Northern Stage: The Hound of the Baskervilles\, Mad Love\, Boeing Boeing) will perform October 17-28. \nAdvisory: Appropriate for all ages\, but ideal for 12 and up.
URL:https://pointfm.com/events/dear-elizabeth-barrett-center-for-the-arts/
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DTSTART;TZID=America/New_York:20181013T200000
DTEND;TZID=America/New_York:20181013T200000
DTSTAMP:20260429T100500
CREATED:20180926T154711Z
LAST-MODIFIED:20180926T154711Z
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SUMMARY:Noah Kahan @ Higher Ground
DESCRIPTION:The Point Welcomes: \nNoah Kahan\n \nA Tour de Point Show \nSaturday\, October 13th @ 8PM \nHigher Ground | S Burlington VT \n–Get Tickets and Event Info – \nThe smaller the town\, the bigger the story… \nGood luck finding cell service in singer-songwriter Noah Kahan’s tiny hometown of Strafford\, VT \nReception is nearly non-existent\, but that doesn’t seem to bother the 1\,000 residents that call this peaceful countryside hamlet home. The town’s sentiment of relishing in isolation is evident at the Kahan household\, a 133 acre tree farm at the end of a steep dirt road\, nestled in the rolling Vermont hills. The weather is harsh at times\, idyllic at others\, and a constant exercise in extremes. The seclusion provokes imagination but also imposes an earnestness that’s rooted in Noah’s music and perspective. \nOf his songwriting and his surroundings\, Kahan explains “My music plays on an introspective space. I’ve learned about the realities of being in the real world but being in the countryside holds a lot of nostalgia for me. I try to capture that. I’m just telling stories while being heartfelt. \nSmall town wonderment led Noah to explore songwriting early on\, emulating musical influences like Paul Simon\, Ben Howard\, and The Lumineers. He writes with thought-provoking realism about self-doubt and fear while highlighting the intricacies of relationships with an unpolished sincerity. That approach\, along with head-turning vocals\, has brought Noah a long way from Strafford in a very short time. As a senior in high school\, Noah’s unique take on the world and his knack for crafting a captivating story attracted the attention of world-class songwriters Dan Wilson (Adele)\, Scott Harris (Shawn Mendes)\, Chris DeStefano (Carrie Underwood)\, among others. Word spreads quickly within the songwriting community and Noah soon became a welcomed collaborator of its inner circle. \nIn 2016\, the 20-year-old attracted GRAMMY® Award-winning super producer Joel Little (Lorde\, Khalid). The two recorded six songs together which have since been released periodically throughout 2017 via Republic Records. Debut single“Young Blood” entered Spotify’s US Viral Chart at #5\, and quickly cracked over 9 million streams. \n“Joel really pushed the music to a level that I never imagined it could go\,” continues Noah. “He saw that the songs needed to be special. He really helped me achieve a unique sound. We wrote so much together\, and we found an amazing groove.” \nThey honed that groove to perfection on the break out single “Hurt Somebody.” Propelled by lithe acoustic guitars\, an unpredictable rhythm\, and an impressive vocal range\, the song was immediately showcased on Spotify in its coveted New Music Friday Playlist. Gaining steam\, “Hurt Somebody” amassed over 1.4 million streams in less than a week\, appeared on the global viral charts\, and earned acclaim from Billboard who wrote\, “It allows the songwriter to showcase his ability to blend mature themes with a folk-pop twist.” \n“Being worried about how hard it is to end something can paralyze you\,” Noah explains. “It’s a universal feeling. Pulling off the band-aid in a relationship or any situation is never easy. It means a lot to conjure the strength to call it quits. You can apply it to many different things—whether it’s romance or a work opportunity. ‘Hurt Somebody’ illuminates how the worry almost paralyzes you. It’s a personal experience where I was worried about hurting someone else\, and I couldn’t end a situation because of it.”
URL:https://pointfm.com/events/noah-kahan-higher-ground/
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DTSTART;TZID=America/New_York:20181013T200000
DTEND;TZID=America/New_York:20181013T230000
DTSTAMP:20260429T100500
CREATED:20180926T154834Z
LAST-MODIFIED:20180926T154834Z
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SUMMARY:David Bowie's Blackstar @ Flynn Theater
DESCRIPTION:David Bowie’s Blackstar \nThe Ambient Orchestra featuring Maya Beiser \nSaturday\, October 13th @ 8PM \nFlynn Theater | Burlington VT \n– get tickets and event info here – \nShortly after David Bowie’s passing in January 2016\, composer Evan Ziporyn created the Ambient Orchestra to perform Philip Glass’ Bowie-inspired symphonies\, Low and Heroes. Drawing on stunning cellist Maya Beiser as the voice of Bowie\, the overwhelming success of the inaugural concert led Ziporyn to continue exploring the seemingly endless Bowie catalogue. He selected Bowie’s tragically self-aware swan song\, Blackstar—written and recorded in the artist’s final year—to arrange and conduct. The full orchestra channels Bowie’s light-years-ahead music\, rendering the subtleties more subtle as Beiser’s cello interprets Bowie’s lyrics with haunting entrancement. \n 
URL:https://pointfm.com/events/david-bowies-blackstar-flynn-theater/
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