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DTSTART;TZID=America/New_York:20260331T193000
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SUMMARY:Old 97's @ Higher Ground
DESCRIPTION:The Point Welcomes: \nOld 97’s \nA Tour de Point Show\n \n  \nTuesday\, March 31  ~  Doors: 7:30 PM / Show: 8 PM \nHigher Ground | South Burlington\, VT \n– Tickets and Event Info – \n  \nThe thirteenth studio album from Old 97’s\, American Primitive arose from what vocalist/guitarist Rhett Miller refers to as a “de-evolution” of the legendary Dallas-bred band. “As much as I want us to calm down and grow up\, the songs that felt right for this record were mostly big and loud and brutal and dirty\,” says Miller\, whose bandmates include bassist Murry Hammond\, guitarist Ken Bethea\, and drummer Philip Peeples. Arriving just months before the 30th anniversary of Hitchhike to Rhome—a powerhouse debut that played a vital part in pioneering the alt-country genre—the result is a gloriously rowdy body of work\, revealing a veteran band more attuned than ever to the raw and reckless energy of truly timeless rock-and-roll. \nWith its title lifted from a bit of fictional art criticism in Stephen King’s psych-horror novel Duma Key\, American Primitive merges its unvarnished sound with the punchy yet poignant storytelling signature to Old 97’s\, radiating a rambunctious joy even as Miller’s lyrics contend with complex questions of love and mental illness and the routinely daunting state of the world. Produced by Tucker Martine (My Morning Jacket\, The Decemberists\, Neko Case) and featuring iconic guest musicians like Peter Buck of R.E.M. and Scott McCaughey of The Young Fresh Fellows and The Minus 5\, the album took shape in a series of deliberately whirlwind sessions at Flora Studio in Portland\, Oregon. “This was the first record we’ve ever done with zero pre-production\,” Miller points out. “It’s us working completely on instinct\, leaning on 30 years of playing together to come up with something on the fly rather than overthinking any of our choices.” \nA distinctly literary lyricist who’s authored a number of children’s books and written for publications like McSweeney’s and The Atlantic\, Miller threads American Primitive with so much lived-in yet dreamlike detail\, such as on the sublimely blistering “Masterpiece” (“So I sank to the bottom of the hotel pool/You drank sunshine like you always do/Then it rained broken glass on your paperback/The ink ran and so did I\, never said goodbye/Just fade to black”). “Magic” serves up a jittery piece of power-pop echoing the anguish of grasping for salvation\, while “Western Stars” presents an intimate portrait of pained isolation inspired by an epic Alfred Lord Tennyson poem that Miller memorized in high school. Equal parts sprawling rumination and freewheeling joyride\, the album also spans from the stripped-back benediction of “Incantation” to the sweetly skewed whimsy of “Honeypie” (a loping and lighthearted love song featuring McCaughey on piano and Buck on mandolin). And on “Estuviera Cayendo\,” American Primitive closes out with an instrumental reprise of “Falling Down\,” beautifully reimagined on flamenco guitar by guest musician Jeff Trapp.
URL:https://pointfm.com/events/old-97s-higher-ground/
LOCATION:Higher Ground\, 1214 Williston Rd\, South Burlington\, VT\, 05403\, United States
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SUMMARY:Melissa Etheridge @ The Flynn
DESCRIPTION:The Point Presents \nMelissa Etheridge \nFlynn Main Stage \nTuesday\, March 31st @ 7:30 PM \n– Tickets & Info – \n\nMelissa Etheridge stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album\, which led to an appearance on the 1989 Grammy Awards show. For several years\, her popularity grew around such memorable originals as “Bring Me Some Water\,” “No Souvenirs” and “Ain’t It Heavy\,” for which she won a Grammy in 1992. Etheridge hit her commercial and artistic stride with her fourth album\, Yes I Am (1993). The collection featured the massive hits\, “I’m the Only One” and “Come to My Window\,” a searing song of longing that brought Etheridge her second Grammy Award for Best Female Rock Performance. In 1995\, Etheridge issued her highest charting album\, Your Little Secret\, which was distinguished by the hit single\, “I Want to Come Over.” Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996. \nKnown for her confessional lyrics and raspy\, smoky vocals\, Etheridge has remained one of America’s favorite female singers for more than two decades. In February 2007\, Melissa Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy Awards for “I Need to Wake Up\,” written for the Al Gore documentary on global warming\, An Inconvenient Truth. As a performer and songwriter\, Etheridge has shown herself to be an artist who has never allowed “inconvenient truths” to keep her down. Earlier in her recording career\, Etheridge acknowledged her sexual orientation when it was considered less than prudent to do so. In October 2004\, Etheridge was diagnosed with breast cancer\, a health battle that\, with her typical tenacity\, she won. Despite losing her hair from chemotherapy\, Etheridge appeared on the 2005 Grammy telecast to sing “Piece of My Heart” in tribute to Janis Joplin. By doing so she gave hope to many women afflicted with the disease. \n\nIn June of 2020\, Etheridge launched The Etheridge Foundation to support groundbreaking scientific research into effective new treatments for opioid use disorder. The Foundation works towards advancing treatment approaches that address the root causes of opioid abuse and make available better\, more effective solutions for people to truly heal their opioid use disorder.
URL:https://pointfm.com/events/melissa-etheridge-the-flynn/
LOCATION:Flynn MainStage\, 153 Main Street\, Burlington\, VT\, 05401\, United States
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